Artists Similar To Philip Lassiter


Jeff Coffin

www.jeffcoffin.com

jeff-coffin

Jeff Coffin is an internationally recognized saxophonist, bandleader, composer and educator and has been traveling the globe since the late 20th Century. He is a 3x Grammy Award winner from Bela Fleck & the Flecktones and played with them from 1997-2010. In July 2008, Jeff began touring with Dave Matthews Band, and officially joined the group in 2009 following the tragic passing of founding member LeRoi Moore. When not on the road with DMB, Coffin fronts his own group, Jeff Coffin & the Mu’tet.

Some of the artists Coffin has shared the stage and the recording studio include a “who’s who” of musicians such as Bela Fleck & the Flecktones, Dave Matthews Band, Branford Marsalis, Bob Mintzer, DJ Logic, New Orleans Social Club, Maceo Parker, McCoy Tyner, Baaba Maal, Phish, Mike Clark’s Prescription Trio, Galactic, Kirk Whalum, My Morning Jacket, Widespread Panic, Chris Thile, Willie Nelson, Chester Thompson, Garth Brooks, Van Morrison, J.D. Souther, Vinnie Colaiuta, The Dixie Chicks, ‘Rakalam’ Bob Moses, Stanton Moore, Brooks and Dunn, Tuvan Throat Singers – the Alash Ensemble & Konger Ol Ondar, George Porter Jr., Umphrey’s McGee, Del McCoury, John Scofield, Yonder Mountain String Band, Marc Broussard, Martina McBride, Lynyrd Skynyrd, the Wailers and many, many others.


Roy “Futureman” Wooten

www.futuremanlive.com

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Wooten is a five-time Grammy Award-winning performer with Béla Fleck and the Flecktones. For the Flecktones, he plays the Drumitar, a novel electronic instrument of his own invention, and occasionally performs vocals as well.

More recently, Wooten has developed a new electronic instrument called the RoyEl, which resembles a piano but plays notes not found in the traditional western music scales. This instrument is based on the periodic table of elements and the golden ratio.

Like the other members of the Flecktones, Wooten has worked on various solo projects during his time off from the band. On his own Wooten often dresses up as a pirate and uses the pseudonym “RoyEl”, also the name he gave to the keyboard instrument he invented. Wooten’s solo albums are experimental and incorporate diverse musical genres and concepts. On Evolution de la Musique, for example, he infuses classical music with jazz elements, especially improvisation, and spoken word.

Among extra-musical influences, Wooten describes Pythagorean numerology and Vedic mathematics as influencing his compositions.

Wooten’s solo works are:

The Seamless Script
Pi Lullaby
Evolution de la Musique
The Black Mozart Ensemble


Tommy Sims

www.fender.com/artists/profile/1475/

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He had the moves to be an NBA star but making good music won in the end.

“Music is in my blood’, says Tommy Sims. “Making soulful music keeps me going”.
 And it has – across three decades.
 That “soulful music” has won an Oscar and Grammys for Bruce Springsteen, landmark Grammys for Eric Clapton, Babyface, CeCe Winans and Israel Houghton. Sims’ artistry as writer, producer and session player has been featured on work by artists as diverse as Sheryl Crow, Taylor Swift, Michael Bolton, Michael W Smith, Amy Grant, Wynonna Judd, Toni Braxton, Blackstreet, Craig David, CeCe Winans, The Neville Bothers, Bonnie Raitt, Robert Randolph, Jonny Lang, T-Pain, Mary J Bilge and Garth Brooks.

His music has also been featured in acclaimed film (Touchstone Pictures’ “Phenomenon” and Tri-Star’s “Philadelphia”) and television (ABC’s Emmy award winning “Grey’s Anatomy”, “American Idol” and BET’s “Sunday Best”)

Yet it all began in a quiet, unassuming way in downtown Chicago with an old 70s model Fender Jazz Bass bought at a second hand shop. That and a fusion of his family’s church singing, his uncles’ Motown records and his father’s eclectic collection that included Stax records, Stevie Wonder, Quincy Jones and Jim Croce. Sims continued his study at the local record store, where the patient owner would let Sims play the parts he was to build into his diverse musical vocabulary over and over again. Sims muses with a smile, ” I was hooked.” 
Sims took lessons from relatives and progressed to the guitar, piano and the drums. At the age of 12, Sims began writing songs. He honed his craft at the Western Michigan College where he studied music and played gigs.

Soon his travels led him to Nashville, where he became a regular session man from the mid 1980s and was offered his first publishing deal. Working out of a popular L.A. studio in the early 1990s, his growing reputation led to an invitation from Bruce Springsteen to jam with him and his band, then to join him on tour. Sims was 26, but critics noted the maturity of his chops.
 Sims returned to Nashville and continued the sessions for other artists. A turning point came when he co-wrote “Change the World”, based in part on a socially conscious song he had written at the age of 16. Eric Clapton’s rendition won Song of the Year, Record of the Year and Best Male Pop Vocal Performance at the 1997 Grammys. Since then, Sims has travelled the world to write, play and produce on a diverse array of projects. He released his own project “Peace and Love” (Universal) in 2000, featuring the talent of Stevie Wonder, his musical mentor. He co-produced and co-wrote songs on the Grammy winning 2010 “Power of One”, and “Love God, Love People” in 2011 for Israel Houghton and recently contributed to the “100 Miles from Memphis” record and world tour with Sheryl Crow. He continues to develop new projects for new artists such as Jonny Lang, Jason Mraz and Javier Colon (winner of “The Voice”) as well as A list musicians looking for a soulful twist.

“I’m a fan of music,” states Sims. “So I will always be making music. Fender has been a lifelong companion. The Precision models of the mid 60s and 70s are important part of my studio set up and help make my music what it is”

The quality shows and the beat goes on.


Roy Agee

www.nashvillejazz.org/ArtistProfile.php?artistID=14

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Roy Agee has been a freelance trombonist in Nashville for 15 years. He has traveled extensively playing in some of the worlds most prestigious halls and clubs including Birdland, The Blue Note (in both Tokyo and New York City), The Bottom Line, and even the Houston Astrodome. He has played with Jimmy Lovelace, Lew Anderson’s Big Band, The Glenn Miller Orchestra, and appeared on hundreds of CDs.